Wile E. Coyote (also known simply as "The Coyote") and The Road Runner are cartoon characters from a series of Looney Tunes and Merrie Melodies cartoons. The characters (a coyote and Greater Roadrunner) were created by animation director Chuck Jones in 1948 for Warner Bros., while the template for their adventures was the work of writer Michael Maltese. The characters star in a long-running series of theatrical cartoon shorts (the first 16 of which were written by Maltese) and occasional made-for-television cartoons.
The series lampoons nature documentaries, where instead of animal senses and cunning, the Coyote uses absurd contraptions and elaborate plans to pursue his quarry.
The Coyote's name of Wile E. is obviously a play on the word "wily." The "E" was said to stand for Ethelbert in one issue of a Looney Tunes comic book; but only one issue, where its writer hadn't intended to create canon.[1] The Coyote's surname is routinely pronounced with a long "e" ([kaɪˈoʊtiː], "ky-OH-tee"), but in one cartoon short, To Hare Is Human, Wile is heard pronouncing it with a final long "a" (i.e., [kaɪˈoʊteɪ], "ky-OH-tay"); but only one cartoon short, where its writer hadn't intended to create canon.
The Coyote has separately appeared as an occasional antagonist against Bugs Bunny in five shorts: Operation: Rabbit, To Hare Is Human, Rabbit's Feat, Compressed Hare, and Hare-Breadth Hurry. While he is generally silent in the Coyote-Road Runner shorts, he speaks with a refined accent in these solo outings (except for Hare-Breadth Hurry), introducing himself as "Wile E. Coyote - super genius", voiced by Mel Blanc.[2] The Road Runner vocalizes only with a signature sound, "Beep, Beep" (which sounds more like "Meep, Meep"), and an occasional tongue noise. The "Beep, Beep" was recorded by Paul Julian.[3]
To date, 48 cartoons have been made featuring these characters, the majority by Chuck Jones.
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Jones based the Coyote on Mark Twain's book Roughing It,[4] in which Twain described the coyote as "a long, slim, sick and sorry-looking skeleton" that is "a living, breathing allegory of Want. He is always hungry." Jones said he created the Coyote-Road Runner cartoons as a parody of traditional "cat and mouse" cartoons such as Tom and Jerry, which series, ironically, Jones later worked on as a director.[5]
The series consists of 48 shorts (mostly about 6-7 min. but include 3 "three-minute, three-dimensional cartoons in widescreen (scope)"[6]), 1 short movie (26 min.), and 3 Webtoons (2-3 min.).
# | Release date | Title | Duration | Credits | Pseudo-Latin names given | ||
---|---|---|---|---|---|---|---|
Story/writing | Direction | for the Road Runner | for the Coyote | ||||
01 | September 17, 1949 | Fast and Furry-ous | 6:55 | Michael Maltese | Charles M. Jones | Acceleratii incredibus | Carnivorous vulgaris |
02 | May 24, 1952 | Beep, Beep | 6:45 | Michael Maltese | Charles M. Jones | Accelerati incredibilus | Carnivorous vulgaris |
03 | August 23, 1952 | Going! Going! Gosh! | 6:25 | Michael Maltese | Charles M. Jones | Acceleratti incredibilis | Carnivorous vulgaris |
04 | September 19, 1953 | Zipping Along | 6:55 | Michael Maltese | Charles M. Jones | Velocitus tremenjus | Road-Runnerus digestus |
05 | August 14, 1954 | Stop! Look! And Hasten!! | 7:00 | Michael Maltese | Charles M. Jones | Hot-roddicus supersonicus | Eatibus anythingus |
06 | April 30, 1955 | Ready, Set, Zoom! | 6:55 | Michael Maltese | Charles M. Jones | Speedipus rex | Famishus-famishus |
07 | December 10, 1955 | Guided Muscle | 6:40 | Michael Maltese | Charles M. Jones | Velocitus delectiblus | Eatibus almost anythingus |
08 | May 5, 1956 | Gee Whiz-z-z-z-z-z-z | 6:35 | Michael Maltese | Charles M. Jones | Delicius-delicius | Eatius birdius |
09 | November 10, 1956 | There They Go-Go-Go! | 6:35 | Michael Maltese | Chuck Jones | Dig-outius tid-bittius | Famishius fantasticus |
10 | January 26, 1957 | Scrambled Aches | 6:50 | Michael Maltese | Chuck Jones | Tastyus supersonicus | Eternalii famishiis |
11 | September 14, 1957 | Zoom and Bored | 6:15 | Michael Maltese | Chuck Jones | Birdibus zippibus | Famishus vulgarus |
12 | April 12, 1958 | Whoa, Be-Gone! | 6:10 | Michael Maltese | Chuck Jones | Birdius high-ballius | Famishius vulgaris ingeniusi |
13 | October 11, 1958 | Hook, Line and Stinker | 5:55 | Michael Maltese | Chuck Jones | Burnius-roadibus | Famishius-famishius |
14 | December 6, 1958 | Hip Hip-Hurry! | 6:00 | Michael Maltese | Chuck Jones | Digoutius-unbelieveablii | Eatius-slobbius |
15 | May 9, 1959 | Hot-Rod and Reel! | 6:25 | Michael Maltese | Chuck Jones | Super-sonicus-tastius | Famishius-famishius |
16 | October 10, 1959 | Wild About Hurry | 6:45 | Michael Maltese | Chuck Jones | Batoutahelius | Hardheadipus oedipus |
17 | January 9, 1960 | Fastest with the Mostest | 7:20 | None | Chuck Jones | Velocitus incalculii | Carnivorous slobbius |
18 | October 8, 1960 | Hopalong Casualty | 6:05 | Chuck Jones | Chuck Jones | Speedipus-rex | Hard-headipus ravenus |
19 | January 21, 1961 | Zip 'N Snort | 5:50 | Chuck Jones | Chuck Jones | Digoutius-hot-rodis | Evereadii eatibus |
20 | June 3, 1961 | Lickety-Splat | 6:20 | Chuck Jones | Chuck Jones Abe Levitow |
Fastius tasty-us | Apetitius giganticus |
21 | November 11, 1961 | Beep Prepared | 6:00 | John Dunn Chuck Jones |
Chuck Jones Maurice Noble |
Tid-bittius velocitus | Hungrii flea-bagius |
Film | June 2, 1962 | Adventures of the Road-Runner | 26:00 | John Dunn Chuck Jones Michael Maltese |
Chuck Jones | Super-Sonnicus Idioticus | Desertous-operativus Idioticus |
22 | June 30, 1962 | Zoom at the Top | 6:30 | Chuck Jones | Chuck Jones Maurice Noble |
Disappearialis quickius | Overconfidentii vulgaris |
23 | December 28, 1963 | To Beep or Not to Beep* | 6:35 | John Dunn Chuck Jones |
Chuck Jones Maurice Noble |
None | None |
24 | June 6, 1964 | War and Pieces | 6:40 | John Dunn | Chuck Jones Maurice Noble |
Burn-em upus asphaltus | Caninus nervous rex |
25 | January 1, 1965 | Zip Zip Hooray!* | 6:15 | John Dunn | None | Super-sonnicus idioticus | None |
26 | February 1, 1965 | Road Runner a Go-Go* | 6:05 | John Dunn | None | None | None |
27 | February 27, 1965 | The Wild Chase | 6:30 | None | Friz Freleng Hawley Pratt |
None | None |
28 | July 31, 1965 | Rushing Roulette | 6:20 | David Detiege | Robert McKimson | None | None |
29 | August 21, 1965 | Run, Run, Sweet Road Runner | 6:00 | Rudy Larriva | Rudy Larriva | None | None |
30 | September 18, 1965 | Tired and Feathered | 6:20 | Rudy Larriva | Rudy Larriva | None | None |
31 | October 9, 1965 | Boulder Wham! | 6:30 | Len Janson | Rudy Larriva | None | None |
32 | October 30, 1965 | Just Plane Beep | 6:45 | Don Jurwich | Rudy Larriva | None | None |
33 | November 13, 1965 | Hairied and Hurried | 6:45 | Nick Bennion | Rudy Larriva | None | None |
34 | December 11, 1965 | Highway Runnery | 6:45 | Al Bertino | Rudy Larriva | None | None |
35 | December 25, 1965 | Chaser on the Rocks | 6:45 | Tom Dagenais | Rudy Larriva | None | None |
36 | January 8, 1966 | Shot and Bothered | 6:30 | Nick Bennion | Rudy Larriva | None | None |
37 | January 29, 1966 | Out and Out Rout | 6:00 | Dale Hale | Rudy Larriva | None | None |
38 | February 19, 1966 | The Solid Tin Coyote | 6:15 | Don Jurwich | Rudy Larriva | None | None |
39 | March 12, 1966 | Clippety Clobbered | 6:15 | Tom Dagenais | Rudy Larriva | None | None |
40 | November 5, 1966 | Sugar and Spies | 6:20 | Tom Dagenais | Robert McKimson | None | None |
41 | November 27, 1979 | Freeze Frame | 6:05 | Chuck Jones (no on-screen credits) |
Chuck Jones (no on-screen credits) |
Semper food-ellus | Grotesques appetitus |
42 | May 21, 1980 | Soup or Sonic | 9:10 | Chuck Jones | Chuck Jones Phil Monroe |
Ultra-sonicus ad infinitum | Nemesis ridiculii |
43 | December 21, 1994 (shown with Richie Rich) | Chariots of Fur | 7:00 | Chuck Jones | Chuck Jones | Boulevardius-burnupius | Dogius ignoramii |
44 | December 30, 2000 | Little Go Beep | 7:55 | Kathleen Helppie-Shipley Earl Kress |
Spike Brandt | Morselus babyfatius tastius | Poor schnookius |
45 | November 1, 2003 | The Whizzard Of Ow | 7:00 | Chris Kelly | Bret Haaland | Geococcyx californianus*** | Canis latrans**** |
46 | July 30, 2010 (shown with Cats & Dogs: The Revenge of Kitty Galore)[7] | Coyote Falls | TBA | TBA | Matthew O'Callaghan | None | None |
47 | September 24, 2010 (shown with Legend of the Guardians: The Owls of Ga'Hoole)[8] | Fur of Flying | TBA | TBA | TBA | TBA | TBA |
48 | December 17, 2010 (shown with Yogi Bear)[9] | Rabid Rider | TBA | TBA | TBA | TBA | TBA |
Web | Unknown | Judge Granny Case 2** [1], Wile E. voiced by Maurice LaMarche | TBD | Birdius tastius | Poultrius devourius | ||
Web | Unknown | Wild King Dumb** [2] | TBD | Birdius tastius | Poultrius devourius | ||
Web | Unknown | Wile E. Coyote Ugly** [3] | TBD | None | None |
* Part of the animated film Adventures of the Road-Runner
** Webtoon (looneytunes.warnerbros.com) - US Only
*** Actual Latin name of the Greater Roadrunner
**** Actual Latin name of the Coyote
In Stop! Look! and Hasten!, Wile E. follows the instructions in a manual titled How to Build a Burmese Tiger Trap. Hearing the trap activated, he leaps in and immediately withdraws, panicked, because instead of the Road Runner he has caught an actual Burmese tiger, who is identified as such and given the pseudo-Latin name surprisibus! surprisibus!.
In Soup or Sonic, the "beep, beep" of the Road Runner is also given the pseudo-Latin name beepus-beepus. It might also be noted that in this episode, Wile E. finally 'catches' the Road Runner; however, he has been shrunk down to minute size and is dwarfed by the Road Runner. Recovering from the shock, he then turns to the viewer and holds up a sign reading "Okay wise guys, you always wanted me to catch him. Now what do I do?"
The desert scenery in the first two Road Runner cartoons, Fast and Furry-ous (1949) and Beep, Beep (mid 1952), was designed by Robert Gribbroek and was quite realistic. In most later cartoons the scenery was designed by Maurice Noble and was far more abstract. Several different styles were used. In The Wild Chase (1965), featuring a race between the Road Runner and Speedy Gonzales, it is stated that the Road Runner is from Texas, insofar as the race announcer calls him the "Texas Road Burner." This suggests that most of the Wile E. and Road Runner cartoons could take place in Texas. However, in episode 23, "To Beep or Not to Beep", the catapult is constructed by the Road-Runner Manufacturing Company, which has locations in Taos, Phoenix, Santa Fe, and Flagstaff, suggesting that it takes place in Arizona and New Mexico.
In Going! Going! Gosh! (late 1952) through Guided Muscle (late 1955) the scenery was 'semi-realistic' with an offwhite sky (possibly suggesting overcast/cloudy weather condition). Gravity-defying rock formations appeared in Ready, Set, Zoom! (early 1955). A bright yellow sky made its debut in Gee Whiz-z-z-z! (early 1956) but was not used consistently until There They Go-Go-Go!, later in the same year.
Zoom and Bored (late 1957) introduced a major change in background style. Sharp, top-heavy rock formations became more prominent, and warm colors (yellow, orange, and red) were favored. Bushes were crescent-shaped. Except for Whoa Be-Gone (early 1958), whose scenery design harked back to Guided Muscle in certain aspects (such as off-white sky), this style of scenery was retained as far as Fastest with the Mostest (early 1960). Hopalong Casualty (mid 1960) changed the colour scheme, with the sky reverting to blue, and some rocks becoming off-white, while the bright yellow desert sand colour is retained, along with the 'sharp' style of rock formations pioneered by Zoom and Bored. The crescent shapes used for bushes starting with Zoom and Bored were retained, and also applied to clouds. In the last scene of War and Pieces (1964), Wile E. Coyote's rocket blasts him through the center of the Earth to China, which is portrayed with abstract Oriental backgrounds. This scene features a Chinese Road Runner.
The Format Films cartoons used a style of scenery similar to Hopalong Casualty and its successors, albeit less detailed and with small puffy clouds rather than crescent-shaped ones.
Freeze Frame, a made-for-television short originally shown as part of the 1979 CBS special Bugs Bunny's Looney Christmas Tales, depicts the Road Runner taking a turn that leads the chase into mountains and across a wintry landscape of ice and snow.
Wile E. Coyote often obtains complex and ludicrous devices from a mail-order company, the fictitious Acme Corporation, which he hopes will help him catch the Road Runner. The devices invariably fail in improbable and spectacular ways. Whether this is result of operator error or faulty merchandise is debatable. The coyote usually ends up burnt to a crisp, squashed flat, or at the bottom of a canyon (some shorts show him suffering a combination of these fates). Occasionally Acme products do work quite well (e.g. the Dehydrated Boulders, Bat-Man Outfit, Rocket Sled, Jet Powered Roller Skates, or Earthquake Pills). In this case their success often works against the coyote - for example, the Dehydrated Boulder, upon hydration, becomes so large that it crushes him, or the Coyote finding out that the Earthquake Pills bottle label's fine print states that the pills aren’t effective on road runners, right after he swallows the whole bottle, thinking them duds. Other times he uses items that are implausible, such as a superhero outfit, thinking he could fly wearing it (he cannot).
How the coyote acquires these products without money is not explained until the 2003 movie Looney Tunes: Back in Action, in which he is shown to be an employee of Acme. In a Tiny Toon Adventures episode, Wile E. makes mention of his protege Calamity Coyote possessing an unlimited Acme credit card account, which might serve as another possible explanation. Wile E. being a "beta tester" for Acme has been another suggested explanation. Wile E. also uses war equipment such as cannons, rocket launchers, grenades, and bayonets which are "generic", not Acme products. In a Cartoon Network commercial promoting Looney Tunes, they ask the Coyote why does he insist on purchasing products from the Acme Corporation when all previous contraptions have backfired on him, to which the Coyote responds with a wooden sign (right after another item blows up in his face): "Good line of Credit."
The company name was likely chosen for its irony (acme means the highest point, as of achievement or development). Also, a company named ACME would have shown up in the first part of a telephone directory. Some people have said ACME comes from the common expansion A (or American) Company that Makes (or Making) Everything, a backronym of the word. The origin of the name might also be related to the Acme company that built a fine line of animation stands and optical printers; however, the most likely explanation is the Sears house brand called Acme that appeared in their ubiquitous early 1900s mail-order catalogues.
In at least one Road Runner short, 'Ajax' was used instead of Acme.
In another short, the names 'A-1' and 'Ace' are used.
As in other cartoons, the Road Runner and the coyote follow the laws of cartoon physics. For example, the Road Runner has the ability to enter the painted image of a cave, while the coyote cannot (unless there is an opening through which he can fall). Sometimes, however, this is reversed, and the Road Runner can bust through a painting while the coyote will not. Sometimes the coyote is allowed to hang in midair until he realizes that he is about to plummet into a chasm (a process occasionally referred to elsewhere as Road-Runnering). The coyote can overtake rocks (or cannons) which fall before he does, and end up being squashed by them.
In "Chuck Amuck: The Life and Times Of An Animated Cartoonist",[10] it is claimed that Chuck Jones and the artists behind the Road Runner and Wile E. cartoons adhered to some simple but strict rules:
These rules were not always followed, and in an interview[3] years after the series was made, writer Michael Maltese said he had never heard of the "Rules." The rules were most likely a gag invented for Jones' book.
The original Chuck Jones productions ended in 1963 after Jack Warner closed the Warner Bros. animation studio. War and Pieces, the last Road Runner short directed by Jones, was released in mid-1964. By that time, David DePatie and veteran director Friz Freleng had formed DePatie-Freleng Enterprises, moved into the facility just emptied by Warner, and signed a license with Warners to produce cartoons for the big studio to distribute.
Their first to feature the Road Runner was The Wild Chase. This was directed by Friz Freleng himself in 1965. The premise was a race between the bird and "the fastest mouse in all of Mexico," Speedy Gonzales, with the coyote and Sylvester the "putty tat" each trying to make a meal out of his usual target. Much of the material was animation rotoscoped from earlier Runner and Gonzales shorts, with the other characters added in.
In total, DePatie-Freleng produced 14 Road Runner cartoons, two of which were directed by Robert McKimson (Rushing Roulette, 1965, and Sugar and Spies, 1966). Due to cuts in the number of frames used per second in animated features, many of these final Road Runner features were cheap looking and jerky. Also, the music was very different and of poorer quality than the older features. This was disappointing to fans of the original shorts, and many felt it was the final death knell for animation.
The remaining 11 were subcontracted to Format Films and directed under ex-Warner Bros. animator Rudy Larriva. The "Larriva Eleven", as the series was later called, lacked the fast-paced action of the Chuck Jones originals and was poorly received by critics. In Of Mice and Magic, Leonard Maltin calls the series "witless in every sense of the word." In addition, except for the planet Earth scene at the tail end of "Highway Runnery", there was only one clip of the Coyote's fall to the ground, used over and over again. These cartoons can easily be distinguished from Chuck Jones' cartoons because they feature the modern "Abstract WB" Looney Tunes opening and closing sequences, and they use the same music cues over and over again in the cartoons, composed by William Lava. Only one of those 11 cartoons - "Run, Run, Sweet Road Runner" - had music that was actually scored instead of the same music cues. Another clear clue is that Jones' previously described "Laws" for the characters were not followed with any significant fidelity.
Wile E. Coyote has also unsuccessfully attempted to catch and eat Bugs Bunny in another series of cartoons. In these cartoons, the coyote takes on the guise of a self-described "super genius" and speaks with a smooth, generic upper-class accent provided by Mel Blanc. While he is incredibly intelligent, he is limited to technology and is often easily outsmarted, a somewhat physical symbolism of "street smarts" besting "book smarts."
In one short (Hare-Breadth Hurry, 1963), Bugs Bunny—with the help of "speed pills"—even stands in for Road Runner, who has "sprained a giblet", and carries out the duties of outsmarting the hungry scavenger. This is the only Bugs Bunny/Wile E. Coyote short in which the coyote does not speak. As usual Wile E. Coyote ends up falling down a canyon. In a later, made-for-TV short, which had a young Elmer Fudd chasing a young Bugs Bunny, Elmer also falls down a canyon. On the way down he is overtaken by Wile E. Coyote who shows a sign telling Elmer to get out of the way for someone who is more experienced in falling.
In the 1962 pilot for a proposed television series (but instead released as a theatrical short titled The Adventures of the Road-Runner—later edited and split into three short subjects called To Beep or Not to Beep, Zip Zip Hooray! and Road Runner A-Go-Go), Wile E. lectures two young TV-watching children about the edible parts of a Road Runner, attempting to explain his somewhat irrational obsession with catching it.
Chuck Jones' 1979 movie The Bugs Bunny/Road Runner Movie features Jones' characters, including Wile E. Coyote and Road Runner. However, whereas most of the featured cartoons are single cartoons or sometimes isolated clips, the footage of Wile E. Coyote and Road Runner is taken from several different cartoons and compiled to run as one extended sequence.
Wile E. Coyote and the Road Runner have cameo roles in Robert Zemeckis' Who Framed Roger Rabbit during the final scene in Marvin Acme's factory with several other Looney Tunes characters. This is one of several anachronisms in the movie, which is set two years before Wile E. Coyote and the Road Runner debuted.
Wile E. Coyote and the Road Runner appear as members of the TuneSquad team in Space Jam. There, Wile E. rigs one of the basketball hoops with dynamite to prevent one of the Monstars from scoring a slam dunk.
Wile E. Coyote appears as an employee of the Acme Corporation in Looney Tunes: Back in Action. There, his role is similar to that of Mustafa from the Austin Powers movies.
In another series of Warner Bros. Looney Tunes cartoons, Chuck Jones used the character design (model sheets and personality) of Wile E. Coyote as "Ralph Wolf". In this series, Ralph continually attempts to steal sheep from a flock being guarded by the eternally vigilant Sam Sheepdog. As with the Road Runner series, Ralph Wolf uses all sorts of wild inventions and schemes to steal the sheep, but he is continually foiled by the sheepdog. In a move seen by many as a self-referential gag, Ralph Wolf continually tries to steal the sheep not because he is a fanatic (as Wile E. Coyote was), but because it is his job. In every cartoon, he and the sheepdog punch a timeclock, exchange pleasantries, go to work, take a lunch break, and clock out to go home for the day, all according to a factory-like blowing whistle. The most prominent difference between the coyote and the wolf, aside from their locales, is that Wile E. has a black nose and Ralph has a red nose.
Wile E. was called Kelsey Coyote in his comic book debut, a Henery Hawk story in Looney Tunes and Merrie Melodies #91 (May 1949). He only made a couple of other appearances at this time. The first appearance of the Road Runner in a comic book was in Bugs Bunny Vacation Funnies #8 (August 1958) published by Dell Comics. The feature is titled "Beep Beep the Road Runner" and the story "Desert Dessert". It presents itself as the first meeting between Beep Beep and Wile E. (whose mailbox reads "Wile E. Coyote, Inventor and Genius"), and introduces the Road Runner's wife, Matilda, and their three newly hatched sons. This story established the convention that the Road Runner family talked in rhyme in the comics.
Dell initially published a dedicated "Beep Beep the Road Runner" comic as part of Four Color Comics #918, 1008, and 1046 before launching a separate series for the character numbered #4–14 (1960–62), with the three try-out issues counted as the first three numbers. After a hiatus, Gold Key Comics took over the character with issues #1–88 (1966–84). During the 1960s, the artwork was done by Pete Alvarado and Phil DeLara; from 1966–1969, the Gold Key issues consisted of Dell reprints. Afterward, new stories began to appear, initially drawn by Alavardo and De Lara before Jack Manning became the main artist for the title. New and reprinted Beep Beep stories also appeared in Golden Comics Digest and Gold Key's revival of Looney Tunes in the 1970s. During this period, Wile E.'s middle name was revealed to be "Ethelbert"[1] in the story "The Greatest of E's" in issue #53 (cover-date September 1975) of Gold Key Comics' licensed comic book, Beep Beep the Road Runner.[11]
The Road Runner and Wile E. also make appearances in the DC Comics Looney Tunes title.
The Road Runner and the Coyote appeared on Saturday mornings as the stars of their own TV series, The Road Runner Show, from September 1966 to September 1968, on CBS. At this time it was merged with The Bugs Bunny Show to become The Bugs Bunny and Road Runner Show, running from 1968 to 1985. The show was later seen on ABC until 2000, and on Global until 1998.
In the 1970s, Chuck Jones directed some Road Runner short films for the educational children's TV series The Electric Company. These short cartoons used the Coyote and the Road Runner to display words for children to read, but the cartoons themselves were a refreshing return to Jones' glory days.
In 1979, Freeze Frame, in which Jones moved the chase from the desert to snow covered mountains, was seen as part of Bugs Bunny's Looney Christmas Tales.
At the end of Bugs Bunny's Portrait of the Artist as a Young Bunny (the initial sequence of Chuck Jones' TV special, Bugs Bunny's Bustin' Out All Over), Bugs mentions to the audience that he and Elmer may have been the first pair of characters to have chase scenes in these cartoons, but then a pint-sized baby Wile E. Coyote (wearing a diaper and holding a small knife and fork) runs right in front of Bugs, chasing a gold-colored, mostly unhatched (except for the tail, which is sticking out) Road Runner egg, which is running rapidly while some high-pitched "beep, beep" noises can be heard. This was followed by the full-fledged Runner/Coyote short, Soup or Sonic.
In the 1980s, ABC began showing many Warner Bros. shorts, but in highly edited form, because the unedited versions were supposedly too violent. Many scenes integral to the stories were taken out, including scenes in which Wile E. Coyote landed at the bottom of the canyon after having fallen from a cliff, or had a boulder or anvil actually make contact with him. In almost all WB animated features, scenes where a character's face was burnt and black, resembling blackface, were removed, as were animated characters smoking cigarettes, or even simulated cigarettes. Some cigar smoking scenes were left in. The unedited versions of these shorts (with the exception of ones with blackface) were not seen again until Cartoon Network, and later Boomerang, began showing them again in the 1990s and early 2000s. Since the release of the WB library of cartoons on DVD, Boomerang has stopped showing the cartoons, presumably to increase sales of the DVDs.
Though Wile E. Coyote isn't seen in Cartoon All-Stars to the Rescue he is mentioned by Bugs Bunny saying that he borrowed his time machine.
Wile E. and the Road Runner later appeared in several episodes of Tiny Toon Adventures. In this series, Wile E. (voiced in the Jim Reardon episode "Piece of Mind" by Joe Alaskey) was the dean of Acme Looniversity and the mentor of Calamity Coyote. The Road Runner's protege in this series was Little Beeper. In the episode "Piece of Mind", Wile E. narrates the life story of Calamity while Calamity is falling from the top of a tall skyscraper. In the direct-to-video movie Tiny Toon Adventures: How I Spent My Vacation, the Road Runner finally gets a taste of humiliation by getting run over by a mail truck that "brakes for coyotes."
The two were also seen in cameos in Animaniacs. They were together in two "Slappy Squirrel" cartoons: "Bumbie's Mom" and "Little Old Slappy from Pasadena". In the latter the Road Runner gets another taste of humiliation when he is outrun by Slappy's car, and holds up a sign saying "I quit"—immediately afterwards, Buttons, who was launched into the air during a previous gag, lands squarely on top of him. Wile E. appears without the bird in a The Wizard of Oz parody, dressed in his batsuit from one short, in a twister (tornado) funnel in "Buttons in Ows".
In a Cartoon Network TV ad about The Acme Hour, Wile E. Coyote utilized a pair of jet roller skates to catch the Road Runner and (quite surprisingly) didn't fail. While he was cooking his prey, it was revealed that the roller skates came from a generic brand. The ad said that other brand isn't the same thing.
In the 2000s, toddler versions of Wile E. and the Road Runner have been featured in episodes of the series Baby Looney Tunes.
Wile E. Coyote had a cameo as the true identity of an alien hunter (a parody of Predator) in the Duck Dodgers episode "K-9 Quarry," voiced by Dee Bradley Baker. In that episode, he was hunting Martian Commander X-2 and K-9.
In Loonatics Unleashed, Wile E. Coyote and Roadrunner's 28th century descendants are Tech E. Coyote and Rev Runner. Tech E. Coyote was the tech expert of the Loonatics (influenced by the past cartoons with many of the machines ordered by Wile E. from Acme), and has magnetic hands and the ability to molecularly regenerate himself (influenced by the many times in which Wile E. painfully failed to capture Roadrunner). Tech E. Coyote speaks, but does not have a British accent as Wile E. Coyote did. Rev Runner is also able to talk, though extremely rapidly, and can fly without the use of jet packs, which are used by other members of the Loonatics. He also has super speed, also a take off of Roadrunner. Ironically, the pair get on rather well, despite the number of gadgets Tech designs in order to stop Rev talking. Also they have their moments where they don't get along. When friendship is shown it is often only from Rev to Tech, not the other way around. They are both portrayed as smart, but Tech is the better inventor and at times Rev was shown doing stupid things.
In the Cartoon Network TV series Class of 3000, Wile E. Coyote is seen constantly in one episode, using rocket shoes and howling like a real life coyote. His Latin name is "Jokis Callbackus".
In 2009, a group of EMRTC engineers attempt to recreate Wile E. Coyote's failed contraptions on a TruTV series Man vs. Cartoon.
In the Total Drama Island episode "Wawkanakwa Gone Wild" the duck Gwen meets parodies Roadrunner, such as the running and the tongue sticking.
Several Wile E. Coyote and Road Runner-themed video games have been produced:
The arcade game was originally to have been a laserdisc-based title incorporating footage from the actual Road Runner cartoons. Atari eventually decided that the format was too unreliable (laserdisc-based games required a great deal of maintenance) and switched it to more conventional raster-based hardware.
References in other games
In Gex: Enter the Gecko in the level Out of Toon there is a coyote-shaped hole on the side of a cliff.
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